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Author of Su pintura más famosa, y quizás la más grande, de esta época, fue No ha sobrevivido ningún retrato confirmado de Ana Bolena realizado por Holbein, quizá debido a que su memoria fue eliminada después de ser ejecutada por traición, incesto y adulterio en 1536.En 1537, Holbein realizó la que se ha convertido quizás en su pintura más famosa: Enrique VIII de pie en una pose heroica con sus pies plantados separadamente.Juana murió en octubre de 1537, poco después de haber dado a luz al único hijo de Enrique, el futuro Los bocetos preliminares de dichas pinturas, en los que combinaba tiza (gis) y tinta con otros medios, se cuentan entre sus obras más preciadas. Hans Holbein the Younger, The Ambassadors, 1533, oil on oak, 207 x 209.5 cm (The National Gallery, London) One of the most famous portraits of the Renaissance is without question Hans Holbein the Younger’s The Ambassadors from 1533. Tal fue el realismo de su obra que su influencia sobrepasó los límites de la pintura. Hans, the Younger Holbein was born in Augsburg, and learned how to paint from his father Hans Holbein the Elder. The carpet is a reminder that the Ottomans were an important part of European Renaissance culture.Globe (detail), Anamorphic skull seen at angle, Hans Holbein the Younger, On the shelf below the carpet, there are a number of intriguing objects, including a lute with a broken string, a hymn book, and a globe. Watercolour on On the right is Georges de Selve, age 25, the bishop of Lavaur, France. Hans Holbein the Younger art authenticity and attribution investigators and researchers. Born in Germany at the end of the 15th century, Hans Holbein witnessed the legacy of earlier Northern European artists such Jan van Eyck get developed by his contemporaries, including Hieronymus Bosch, Albrecht Durer and even his own father.
This is evident in both the claustrophobic, rotting body of the In Basel from 1528 to 1532, Holbein continued his important work for the town council. One of the greatest portraitists of the sixteenth century, Holbein painted the English ruling elite, producing images that came to define their public personas, both in their own time and in later centuries. In spite of generous offers from Basel, Holbein left his wife and children in that city for a second time, to spend the last 11 years of his life primarily in England.By 1533 Holbein was already painting court personalities, and four years later he officially entered the service of King Holbein was one of the greatest portraitists and most The fact that Holbein’s portraits do not reveal the character or spiritual inclinations of his sitters is perfectly paralleled by knowledge of the artist’s life. Carlo Crivelli, Madonna and ChildConfronting power and violence in the renaissance nudeFlorence in the Late Gothic period, an introductionNicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Illustrating a Fifteenth-Century Italian AltarpieceDevotional confraternities (scuole) in Renaissance VeniceAldo Manuzio (Aldus Manutius): inventor of the modern bookAn introduction to the Northern Renaissance in the fifteenth centuryBiblical Storytelling: Illustrating a Fifteenth-Century Netherlandish AltarpieceAn introduction to the Northern Renaissance in the sixteenth centuryJohannes Stradanus and Theodoor Galle, "The Discovery of America"The conservator’s eye: a stained glass Adoration of the MagiThe Gallery of Francis I at Fontainebleau (and French Mannerism)Fifteenth-century Spanish painting, an introductionA miraculous appearance for a queen: Juan de Flandes, Introduction to the Protestant Reformation (part 1 of 4): Setting the stageIntroduction to the Protestant Reformation (part 2 of 4): Martin LutherIntroduction to the Protestant Reformation (part 3 of 4): Varieties of ProtestantismIntroduction to the Protestant Reformation (part 4 of 4): The Counter-ReformationIconoclasm in the Netherlands in the Sixteenth CenturyFrancesco Borromini, San Carlo alle Quattro Fontane, RomeA Still Life of Global Dimensions: Antonio de Pereda’s Louis le Vau, André le Nôtre, and Charles le Brun, Château de VersaillesJohn Michael Wright, The Coronation Portrait of Charles IIPierre-Alexandre Barthélémy Vignon, Church of La MadeleineJacques-Germain Soufflot, The Panthéon (Church of Ste-Geneviève), ParisReceive occasional emails about new Smarthistory content.
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free.
He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder.
Author of Su pintura más famosa, y quizás la más grande, de esta época, fue No ha sobrevivido ningún retrato confirmado de Ana Bolena realizado por Holbein, quizá debido a que su memoria fue eliminada después de ser ejecutada por traición, incesto y adulterio en 1536.En 1537, Holbein realizó la que se ha convertido quizás en su pintura más famosa: Enrique VIII de pie en una pose heroica con sus pies plantados separadamente.Juana murió en octubre de 1537, poco después de haber dado a luz al único hijo de Enrique, el futuro Los bocetos preliminares de dichas pinturas, en los que combinaba tiza (gis) y tinta con otros medios, se cuentan entre sus obras más preciadas. Hans Holbein the Younger, The Ambassadors, 1533, oil on oak, 207 x 209.5 cm (The National Gallery, London) One of the most famous portraits of the Renaissance is without question Hans Holbein the Younger’s The Ambassadors from 1533. Tal fue el realismo de su obra que su influencia sobrepasó los límites de la pintura. Hans, the Younger Holbein was born in Augsburg, and learned how to paint from his father Hans Holbein the Elder. The carpet is a reminder that the Ottomans were an important part of European Renaissance culture.Globe (detail), Anamorphic skull seen at angle, Hans Holbein the Younger, On the shelf below the carpet, there are a number of intriguing objects, including a lute with a broken string, a hymn book, and a globe. Watercolour on On the right is Georges de Selve, age 25, the bishop of Lavaur, France. Hans Holbein the Younger art authenticity and attribution investigators and researchers. Born in Germany at the end of the 15th century, Hans Holbein witnessed the legacy of earlier Northern European artists such Jan van Eyck get developed by his contemporaries, including Hieronymus Bosch, Albrecht Durer and even his own father.
This is evident in both the claustrophobic, rotting body of the In Basel from 1528 to 1532, Holbein continued his important work for the town council. One of the greatest portraitists of the sixteenth century, Holbein painted the English ruling elite, producing images that came to define their public personas, both in their own time and in later centuries. In spite of generous offers from Basel, Holbein left his wife and children in that city for a second time, to spend the last 11 years of his life primarily in England.By 1533 Holbein was already painting court personalities, and four years later he officially entered the service of King Holbein was one of the greatest portraitists and most The fact that Holbein’s portraits do not reveal the character or spiritual inclinations of his sitters is perfectly paralleled by knowledge of the artist’s life. Carlo Crivelli, Madonna and ChildConfronting power and violence in the renaissance nudeFlorence in the Late Gothic period, an introductionNicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Illustrating a Fifteenth-Century Italian AltarpieceDevotional confraternities (scuole) in Renaissance VeniceAldo Manuzio (Aldus Manutius): inventor of the modern bookAn introduction to the Northern Renaissance in the fifteenth centuryBiblical Storytelling: Illustrating a Fifteenth-Century Netherlandish AltarpieceAn introduction to the Northern Renaissance in the sixteenth centuryJohannes Stradanus and Theodoor Galle, "The Discovery of America"The conservator’s eye: a stained glass Adoration of the MagiThe Gallery of Francis I at Fontainebleau (and French Mannerism)Fifteenth-century Spanish painting, an introductionA miraculous appearance for a queen: Juan de Flandes, Introduction to the Protestant Reformation (part 1 of 4): Setting the stageIntroduction to the Protestant Reformation (part 2 of 4): Martin LutherIntroduction to the Protestant Reformation (part 3 of 4): Varieties of ProtestantismIntroduction to the Protestant Reformation (part 4 of 4): The Counter-ReformationIconoclasm in the Netherlands in the Sixteenth CenturyFrancesco Borromini, San Carlo alle Quattro Fontane, RomeA Still Life of Global Dimensions: Antonio de Pereda’s Louis le Vau, André le Nôtre, and Charles le Brun, Château de VersaillesJohn Michael Wright, The Coronation Portrait of Charles IIPierre-Alexandre Barthélémy Vignon, Church of La MadeleineJacques-Germain Soufflot, The Panthéon (Church of Ste-Geneviève), ParisReceive occasional emails about new Smarthistory content.
We created Smarthistory to provide students around the world with the highest-quality educational resources for art and cultural heritage—for free.
He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder.