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“I didn’t even wanna read it. No matter how big a guy might be, Nicky would take him on. I also detected sporadic examples of source flaws. Making hits on all the necessary bases to become a useful program. You broke my heart.
Street-wise. Everybody's gotta watch everybody else.
They're determined to mess up his big move into legitimacy.
But even Gail can’t protect Carlito from what’s coming ~ the shysters, former crew members and youthful entrepreneurs of sin that populate mid-70s Spanish Harlem. It was outta respect
This was a serviceable soundtrack. It's true I have killed people, Mr. Bailey. Your Honor, I mean it. Is without question a different animal and one that De Palma at first declinedIt’s not exactly a novelty, for Al Pacino to play a gangster with dreams of going straight, sucked back into the business like coke through a straw. One day some of the kids from the neighborhood carried my mother's groceries all the way home.
When I introduce you, I'm gonna say, "This is a friend of mine." The same thoughts greeted the effects, as they were acceptably accurate but without much bass response. Far less cussing though.“I have been sick with the social ills known in the ghetto, but my time in the sterling correctional facilities of Greenhaven and Sing Sing has not been in vain. If I ever, I mean if I ever see you here again, you die. He finally got to the top of the world... and it blew right up in his face And many people used to come to us. Since the players are looking to beat the casino, the dealers are watching the players. Canted angles, 360-degree pans, extended takes ~ they’re ever present in “Carlito’s Way,” along with an Odessa Steps sequence that rivals his “Potemkin” shootout in “The Untouchables,” this time on the escalators of Grand Central Station. It’s here, in the club, and in the excellent (kick ass) pool-hall scene that you know exactly who is calling the shots. Even during more action-oriented scenes with gunfire and other lively elements, the surrounds played a minor role. I didn't mean to do that. Listen to me very carefully. “Cahiers du Cinéma” thought so.
Audio quality was fine, though without great heft.
You know, you can ball my wife if she wants you to. It also works when you're stuck in quicksand, too.
He dumped her when he went to jail to protect himself, as he felt hed worry too much about her if they stayed a couple. The floor men are watching the box men. 'Carlito's Way… I saw no issues with jagged edges, but some shimmering occurred. I’ve changed.
He's also saying that you're a piece of shit, and that you don't have the balls to take care of the problem; and he's wasted a lot of time without making any money. This is Rico speaking. We start with Me, I don't have that problem. It's all this stuff you're not saying. “Just when I thought I was out, they pull me back in!” - THE GODFATHER PART III - Michael Corleone, commenting on the impossibility to escape from mob life “They’re back!” - POLTERGEIST 2 - Carol Anne Freeling, informing her parents of the spirits’ return “E.T. And with his words—"Just when I thought I was out, they pull me back in! “I’m always attacked for having an erotic, sexist approach,” De Palma was quoted as saying, “chopping up women, putting women in peril. I want you to find this nancy-boy Eliot Ness, I want him DEAD! I can’t speak to Mr. De Palma’s mental health or his personal investment in the material he choses, but I have heard, and maybe you have too, the argument that he so violently and consistently subjects his female characters to victimhood (“Carrie,” “Dressed to Kill,” “Blow Out”) that his own psychology must play a part.
Somebody messes with me, I'm gonna mess with with him You know why? Little Caesar, that's who! At the beginning of So, it's sort of fitting that, in this movie, he's trying to make things right. Yours is one we would never touch, Mr Bailey And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy My brothers. A copper and his name is Fallon. These were limited to a few specks and a nick or two; nothing major defaced the presentation. Well, allow me to retort A Capiche? He just wants to raise $75,000 so he can move to the Bahamas and invest in a buddys car rental agency. On one hand, he shows too much of the bluster that mars many of his modern performances. Maybe I don’t remember the last time I blew my nose either.”I chuckle at those moments but the language feels real, has slang and street color that’s both dangerous and funny. Then when you get the money, you get the power. Come on. Kleinfeld finds it all amusing. Never stop, never stop fighting till the fight is done I wanna go there in the middle of the night and I wanna p*** ON HIS ASHES! Nothing as iconic as, “Say hello to my little friend!” but “Here come da pain!” has a special place in many hearts, I’m sure. Kleinfeld encourages Carlito to become the manager of his buddy Sasos (Jorge Porcel) nightclub.
I'm watching the casino manager. “Just when I thought I was out, they pull me back in.” A motto for aging gangsters and donut addicts alike. “The extreme vigor of their technique masks a deep derangement,” supposes film critic Peter Rainer, reflecting on the similarities between De Palma and Hitchcock.
More importantly, the scenes in question simply work in the new context.
And you will know I am the Lord when I lay My vengeance upon you Sometimes to defend myself, sometimes for money. What else is going to happen to them?”Wherever you stand, that’s not for this film. They never feel forced, stagy, or in any way inorganic to the movie.
“I didn’t even wanna read it. No matter how big a guy might be, Nicky would take him on. I also detected sporadic examples of source flaws. Making hits on all the necessary bases to become a useful program. You broke my heart.
Street-wise. Everybody's gotta watch everybody else.
They're determined to mess up his big move into legitimacy.
But even Gail can’t protect Carlito from what’s coming ~ the shysters, former crew members and youthful entrepreneurs of sin that populate mid-70s Spanish Harlem. It was outta respect
This was a serviceable soundtrack. It's true I have killed people, Mr. Bailey. Your Honor, I mean it. Is without question a different animal and one that De Palma at first declinedIt’s not exactly a novelty, for Al Pacino to play a gangster with dreams of going straight, sucked back into the business like coke through a straw. One day some of the kids from the neighborhood carried my mother's groceries all the way home.
When I introduce you, I'm gonna say, "This is a friend of mine." The same thoughts greeted the effects, as they were acceptably accurate but without much bass response. Far less cussing though.“I have been sick with the social ills known in the ghetto, but my time in the sterling correctional facilities of Greenhaven and Sing Sing has not been in vain. If I ever, I mean if I ever see you here again, you die. He finally got to the top of the world... and it blew right up in his face And many people used to come to us. Since the players are looking to beat the casino, the dealers are watching the players. Canted angles, 360-degree pans, extended takes ~ they’re ever present in “Carlito’s Way,” along with an Odessa Steps sequence that rivals his “Potemkin” shootout in “The Untouchables,” this time on the escalators of Grand Central Station. It’s here, in the club, and in the excellent (kick ass) pool-hall scene that you know exactly who is calling the shots. Even during more action-oriented scenes with gunfire and other lively elements, the surrounds played a minor role. I didn't mean to do that. Listen to me very carefully. “Cahiers du Cinéma” thought so.
Audio quality was fine, though without great heft.
You know, you can ball my wife if she wants you to. It also works when you're stuck in quicksand, too.
He dumped her when he went to jail to protect himself, as he felt hed worry too much about her if they stayed a couple. The floor men are watching the box men. 'Carlito's Way… I saw no issues with jagged edges, but some shimmering occurred. I’ve changed.
He's also saying that you're a piece of shit, and that you don't have the balls to take care of the problem; and he's wasted a lot of time without making any money. This is Rico speaking. We start with Me, I don't have that problem. It's all this stuff you're not saying. “Just when I thought I was out, they pull me back in!” - THE GODFATHER PART III - Michael Corleone, commenting on the impossibility to escape from mob life “They’re back!” - POLTERGEIST 2 - Carol Anne Freeling, informing her parents of the spirits’ return “E.T. And with his words—"Just when I thought I was out, they pull me back in! “I’m always attacked for having an erotic, sexist approach,” De Palma was quoted as saying, “chopping up women, putting women in peril. I want you to find this nancy-boy Eliot Ness, I want him DEAD! I can’t speak to Mr. De Palma’s mental health or his personal investment in the material he choses, but I have heard, and maybe you have too, the argument that he so violently and consistently subjects his female characters to victimhood (“Carrie,” “Dressed to Kill,” “Blow Out”) that his own psychology must play a part.
Somebody messes with me, I'm gonna mess with with him You know why? Little Caesar, that's who! At the beginning of So, it's sort of fitting that, in this movie, he's trying to make things right. Yours is one we would never touch, Mr Bailey And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy My brothers. A copper and his name is Fallon. These were limited to a few specks and a nick or two; nothing major defaced the presentation. Well, allow me to retort A Capiche? He just wants to raise $75,000 so he can move to the Bahamas and invest in a buddys car rental agency. On one hand, he shows too much of the bluster that mars many of his modern performances. Maybe I don’t remember the last time I blew my nose either.”I chuckle at those moments but the language feels real, has slang and street color that’s both dangerous and funny. Then when you get the money, you get the power. Come on. Kleinfeld finds it all amusing. Never stop, never stop fighting till the fight is done I wanna go there in the middle of the night and I wanna p*** ON HIS ASHES! Nothing as iconic as, “Say hello to my little friend!” but “Here come da pain!” has a special place in many hearts, I’m sure. Kleinfeld encourages Carlito to become the manager of his buddy Sasos (Jorge Porcel) nightclub.
I'm watching the casino manager. “Just when I thought I was out, they pull me back in.” A motto for aging gangsters and donut addicts alike. “The extreme vigor of their technique masks a deep derangement,” supposes film critic Peter Rainer, reflecting on the similarities between De Palma and Hitchcock.
More importantly, the scenes in question simply work in the new context.
And you will know I am the Lord when I lay My vengeance upon you Sometimes to defend myself, sometimes for money. What else is going to happen to them?”Wherever you stand, that’s not for this film. They never feel forced, stagy, or in any way inorganic to the movie.