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“A Conversation Between Jonas Mekas and Stan Brakhage.” 2. My brother Adolfas, Shirley Clarke and myself, we joined Marty in a two-hour radio program to plug the opening of his film. As there’s not much to say without giving away more of the film’s numerous pleasures, enjoy by clicking the image below or Notes on an American Film Director at Work by Jonas Mekas is a 2005 documentary now made available to watch for free on Vimeo by the Anthology Film Archives.. Mekas was allowed close access to Scorsese as he worked on the crime thriller, showing how the director pieced together the production with the likes of Leonardo DiCaprio, Jack Nicholson and Matt Damon all on-board. A gem in the vast cosmology of Jonas Mekas’ career, Notes on an American Film Director at Work: Martin Scorsese follows its subject during various days and nights shooting The Departed, often sitting in silence as Scorsese watches a monitor or consults with production hands from afar. What Mekas’s documentary shows is that, during that same period, Scorsese was also mastering a new technique, entering a new realm of creative power, thanks to video playback. In Notes on an American Film Director at Work: Martin Scorsese, made in 2005, Jonas Mekas, writer, film-maker, critic and figure of the cinema undergroundclose to Martin Scorsese, takes us with him in the scenes of the filming of Infiltrators. One such quote, presented during the final day of the retrospective which included Mekas’s final film, The making-of documentary has a significant place in cinema’s history, excavating the cinematic process as a collaborative human endeavor often centered on the director. As it happened, Marty was shooting THE DEPARTED at that time. As it happened, Marty was shooting The Departed at that time. Posted by Steven Sheehan Published . (That area is called, on movie sets, “video village.”)As the shoot of “The Departed” shifts through a variety of locations in New York and Boston, outdoors and inside, Mekas emphasizes the back-and-forth between the live action of the performances and the images that Scorsese makes of them.
A gem in the vast cosmology of Jonas Mekas’ career, Notes on an American Film Director at Work: Martin Scorsese follows its subject during various days and nights shooting The Departed, often sitting in silence as Scorsese watches a monitor or consults with production hands from afar. I still have the tape of it. But our real friendship began when he made his first feature film, Who's That Knocking at My Door. It’s a chamber kind of movie, a personal tribute to a friend.”And now Anthology Film Archives, one of Mekas’ greatest contributions to film culture, have shared the film for your viewing pleasure. By allowing his camera to be at the mercy of his instinctual eye, wandering and observing the many people on set, from stars like DiCaprio and Ray Winstone to bit crewmembers scurrying around making sure the finer details are how they need to be, the atmosphere of the set is sensed instantly. 2 minute read. Mekas’s films, themselves an archive of the past in their own right—a documentation of life and time passed down through history—have a similar weight of importance. LAST Sunday, the poet, archivist, erstwhile movie critic and avant-garde filmmaker Jonas Mekas departed Brooklyn for Venice, where he is representing Lithuania in the Biennale.
The legend of Scorsese, the person and filmmaker who has so many stories and narrative accounts told about him, is not of interest to Mekas. It can turn a mirror to the auteur, allowing him or her to examine themselves. The venue is fitting: the director of “Notes on an American Film Director at Work” is Jonas Mekas, one of the founders of Anthology (which opened its doors in 1970). “He used to come to my film screenings.
“A Conversation Between Jonas Mekas and Stan Brakhage.” 2. My brother Adolfas, Shirley Clarke and myself, we joined Marty in a two-hour radio program to plug the opening of his film. As there’s not much to say without giving away more of the film’s numerous pleasures, enjoy by clicking the image below or Notes on an American Film Director at Work by Jonas Mekas is a 2005 documentary now made available to watch for free on Vimeo by the Anthology Film Archives.. Mekas was allowed close access to Scorsese as he worked on the crime thriller, showing how the director pieced together the production with the likes of Leonardo DiCaprio, Jack Nicholson and Matt Damon all on-board. A gem in the vast cosmology of Jonas Mekas’ career, Notes on an American Film Director at Work: Martin Scorsese follows its subject during various days and nights shooting The Departed, often sitting in silence as Scorsese watches a monitor or consults with production hands from afar. What Mekas’s documentary shows is that, during that same period, Scorsese was also mastering a new technique, entering a new realm of creative power, thanks to video playback. In Notes on an American Film Director at Work: Martin Scorsese, made in 2005, Jonas Mekas, writer, film-maker, critic and figure of the cinema undergroundclose to Martin Scorsese, takes us with him in the scenes of the filming of Infiltrators. One such quote, presented during the final day of the retrospective which included Mekas’s final film, The making-of documentary has a significant place in cinema’s history, excavating the cinematic process as a collaborative human endeavor often centered on the director. As it happened, Marty was shooting THE DEPARTED at that time. As it happened, Marty was shooting The Departed at that time. Posted by Steven Sheehan Published . (That area is called, on movie sets, “video village.”)As the shoot of “The Departed” shifts through a variety of locations in New York and Boston, outdoors and inside, Mekas emphasizes the back-and-forth between the live action of the performances and the images that Scorsese makes of them.
A gem in the vast cosmology of Jonas Mekas’ career, Notes on an American Film Director at Work: Martin Scorsese follows its subject during various days and nights shooting The Departed, often sitting in silence as Scorsese watches a monitor or consults with production hands from afar. I still have the tape of it. But our real friendship began when he made his first feature film, Who's That Knocking at My Door. It’s a chamber kind of movie, a personal tribute to a friend.”And now Anthology Film Archives, one of Mekas’ greatest contributions to film culture, have shared the film for your viewing pleasure. By allowing his camera to be at the mercy of his instinctual eye, wandering and observing the many people on set, from stars like DiCaprio and Ray Winstone to bit crewmembers scurrying around making sure the finer details are how they need to be, the atmosphere of the set is sensed instantly. 2 minute read. Mekas’s films, themselves an archive of the past in their own right—a documentation of life and time passed down through history—have a similar weight of importance. LAST Sunday, the poet, archivist, erstwhile movie critic and avant-garde filmmaker Jonas Mekas departed Brooklyn for Venice, where he is representing Lithuania in the Biennale.
The legend of Scorsese, the person and filmmaker who has so many stories and narrative accounts told about him, is not of interest to Mekas. It can turn a mirror to the auteur, allowing him or her to examine themselves. The venue is fitting: the director of “Notes on an American Film Director at Work” is Jonas Mekas, one of the founders of Anthology (which opened its doors in 1970). “He used to come to my film screenings.